Luce/ACLS Dissertation Fellowships in American Art

Aleisha E. Barton

Year:
  • 2021
University of Minnesota, Twin Cities
Vibrating Boundaries: Psychedelic Aesthetics in the Post-War Age, 1966-1970

Dusti Cheyenne Bridges

Year:
  • 2023
Cornell University
(Re)lating Archaeological Collections: Hodinöhsö:ni' Art, Colonialist Histories, and Indigenous Futurities in Archaeological Research

Emily Cornish

Year:
  • 2022
University of Michigan-Ann Arbor
Indigenous Women and Photography in the Kingdom of Hawaii: Tradition and Modernity through Self-representation and Patronage

Jack Crawford

Year:
  • 2021
City University of New York, The Graduate Center
Flamboyant Abundance: Performing Queer Maximalism, 1960 – 1990

Ashley E. Kim Duffey

Year:
  • 2023
University of Minnesota, Twin Cities
(Re)visioning Kinship: Photographies of U.S.-Korean Adoption since 1953

Taryn M. Ely

Year:
  • 2022
University of Rochester
A Medium of Madness: Neurodiversity in American Experimental Cinema

Sonja Elena Gandert

Year:
  • 2023
City University of New York, The Graduate Center
La resolana: Chicano Artistic Imaginaries of Place, Race, and Activism in New Mexico and Texas, 1969–1985

Katherine A. Gregory

Year:
  • 2022
University of Texas at Austin
Freedom of Movement, Freedom of Mind: Robert S. Duncanson in Europe and America

Connor Hamm

Year:
  • 2021
University of California, Los Angeles
Coastal Modern: Art and the Lowcountry, 1900-1950s

Claire Ittner

Year:
  • 2021
University of California, Berkeley
Fellow Travelers: The Artist-Researchers of the Rosenwald Fellowship, 1940-1950
Ellen Holtzman Fellow

Emma McMath Kennedy

Year:
  • 2023
Northwestern University
Entangled Lives: The Representation of Blackness and Indigeneity in Contemporary Art

Jessica Larson

Year:
  • 2021
City University of New York, The Graduate Center
Building Black Manhattan: Architecture, Art, and the Politics of Respectability, 1857-1914

Philomena Jazmin Lopez

Year:
  • 2021
University of California, San Diego
Breaking Boundaries: The Multilayered Value of Charles Bojorquez's Graffiti Art from 1969 to 2019

Angela Pastorelli-Sosa

Year:
  • 2022
University of California, Berkeley
X Marks the Spot: Latinx Artists Mapping Space (2022 Ellen Holtzman Fellow)
Ellen Holtzman Fellow

Phillippa Pitts

Year:
  • 2023
Boston University
Pharmacoepic Dreams: Art and America’s Medical Democracy, 1800-1860

Alisa Victoria Prince

Year:
  • 2021
University of Rochester
Exit Point: Tracing the Value of Black Vernacular Photographs From and Beyond the Domestic Archive

Elizabeth Driscoll Smith

Year:
  • 2023
University of California, Santa Barbara
Build/Live/Work: Artist-Built Environments and the Expanded Vernacular in the Twentieth Century
Ellen Holtzman Fellow

Meshell Lea Sturgis

Year:
  • 2023
University of Washington
The Political Aesthetics of Black Girl Magic: Self-Representation in Alternative Media

Dylan D. Volk

Year:
  • 2022
University of Michigan-Ann Arbor
Lips Touch: Lesbian Aesthetic Strategies and the Body Impolitic, 1990-1999

Margaret Wander

Year:
  • 2021
University of California, Santa Cruz
Artistic Responses to a Changing Planet: Creativity, Climate Change, and Colonial Cultures in Oceania

Zoe Weldon-Yochim

Year:
  • 2022
University of California, Santa Cruz
Atomic Afterlives: Visualizing Nuclear Toxicity in Art of the United States, 1979-2011

Serda Ariyel Yalkin

Year:
  • 2022
Duke University
Diasporic Visions: Nuyorican Photography in the 1970s and 1980s