Luce/ACLS Dissertation Fellowships in American Art

Aleisha E. Barton

Year:
  • 2021
University of Minnesota, Twin Cities
Vibrating Boundaries: Psychedelic Aesthetics in the Post-War Age, 1966-1970

Emily Cornish

Year:
  • 2022
University of Michigan-Ann Arbor
Indigenous Women and Photography in the Kingdom of Hawaii: Tradition and Modernity through Self-representation and Patronage

Jack Crawford

Year:
  • 2021
City University of New York, The Graduate Center
Flamboyant Abundance: Performing Queer Maximalism, 1960 – 1990

Anne Strachan Cross

Year:
  • 2020
University of Delaware
“Features of Cruelty Which Could Not Well be Described by the Pen”: The Media of Atrocity in Harper's Weekly, 1862-1866

Caroline M. Culp

Year:
  • 2020
Stanford University
The Memory of Copley: Afterlives of the American Portrait, 1765-1925

Taryn M. Ely

Year:
  • 2022
University of Rochester
A Medium of Madness: Neurodiversity in American Experimental Cinema

Katherine A. Gregory

Year:
  • 2022
University of Texas at Austin
Freedom of Movement, Freedom of Mind: Robert S. Duncanson in Europe and America

Miriam Grotte-Jacobs

Year:
  • 2020
Johns Hopkins University
Capital Art: Rethinking the Washington Color School

Connor Hamm

Year:
  • 2021
University of California, Los Angeles
Coastal Modern: Art and the Lowcountry, 1900-1950s

Margaret G. Innes

Year:
  • 2017
  • 2021
Syracuse University
Signs of Labor in the American Photographic Press, 1926-1951

Claire Ittner

Year:
  • 2021
University of California, Berkeley
Fellow Travelers: The Artist-Researchers of the Rosenwald Fellowship, 1940-1950
Ellen Holtzman Fellow

Jessica Larson

Year:
  • 2021
City University of New York, The Graduate Center
Building Black Manhattan: Architecture, Art, and the Politics of Respectability, 1857-1914

Matthew K. Limb

Year:
  • 2020
University of California, Santa Barbara
“Living on the Edge”: Ceramics and the Environment in the American West, 1961-2000

Philomena Jazmin Lopez

Year:
  • 2021
University of California, San Diego
Breaking Boundaries: The Multilayered Value of Charles Bojorquez's Graffiti Art from 1969 to 2019

Laurel Vera McLaughlin

Year:
  • 2020
Bryn Mawr College
(Un)Bound: Towards a Contemporary Migratory Aesthetics of Performance in the United States by Womxn-Identifying Practitioners, 1970-2016

Dina Murokh

Year:
  • 2020
University of Southern California
“A Sort of Picture Gallery”: The Visual Culture of Antebellum America

Mallory Nanny

Year:
  • 2020
Florida State University
Framing Absence: Photographic Narratives of the Vietnam War
Ellen Holtzman Fellow

Angela Pastorelli-Sosa

Year:
  • 2022
University of California, Berkeley
X Marks the Spot: Latinx Artists Mapping Space (2022 Ellen Holtzman Fellow)
Ellen Holtzman Fellow

Alisa Victoria Prince

Year:
  • 2021
University of Rochester
Exit Point: Tracing the Value of Black Vernacular Photographs From and Beyond the Domestic Archive

Molly Superfine

Year:
  • 2020
Columbia University
Radical Touch: Performative Sculpture and Assemblage in the 1970s

Dylan D. Volk

Year:
  • 2022
University of Michigan-Ann Arbor
Lips Touch: Lesbian Aesthetic Strategies and the Body Impolitic, 1990-1999

Isabel Frampton Wade

Year:
  • 2020
University of Southern California
Glossy Buildings, Planned Images: Architectural Photography across Contested Spaces in Los Angeles, 1940-1980

Margaret Wander

Year:
  • 2021
University of California, Santa Cruz
Artistic Responses to a Changing Planet: Creativity, Climate Change, and Colonial Cultures in Oceania

Zoe Weldon-Yochim

Year:
  • 2022
University of California, Santa Cruz
Atomic Afterlives: Visualizing Nuclear Toxicity in Art of the United States, 1979-2011

Serda Ariyel Yalkin

Year:
  • 2022
Duke University
Diasporic Visions: Nuyorican Photography in the 1970s and 1980s