Raffaele Viglianti

Building upon recent developments in digital music scholarship, Citations: The Renaissance Imitation Mass investigates similarity and borrowing in music on a massive but detailed scale, using digital tools that only a few years ago were beyond our grasp. This work focuses on the craft of musical counterpoint, and how musicians of the sixteenth century transformed pre-existing pieces to make intricate cyclic compositions from familiar sounds. The CRIM team, an accomplished group of scholars and data scientists active in Europe, North America, and Australia, will assemble a diverse collaborative network of music scholars and students at colleges, music schools and university graduate programs, extending the reach of digital scholarship to new users, and building new communities.