Martha Feldman F'06, G'88

Martha  Feldman
Mabel Greene Myers Professor of Music and the Humanities
University of Chicago

ACLS Fellowship Program 2006
University of Chicago
The Castrato as Myth: A Study of Virtuosity and Abjection, Money and Blood

The castrato and his singing--vastly popular in churches and opera houses of seventeenth- and eighteenth-century Europe--were nested in a repertory of myths that mediated ambiguities in early modern consciousness. His myths of origin, castration, and reproduction all resonated with contemporaneous myths of comic figures and angels, who arbitrate between human and animal, male and female, in the fantasies of their observers. Endowed with extraordinary traits, physical and phenomenal, castrati were sacrificial figures with redemptive powers for society. Yet problematically, since they thrived in commercial contexts where they were exchanged as commodities for money, they dramatize the fundamentally modern dilemma of (new) money without blood relations, which contributed to their musical fall from grace.

ACLS Grants-In-Aid 1988
Visiting Assistant Professor
University of Southern California
The Venetian madrigal, ca. 1535-1559: the interaction of musical, literary, and cultural forces leading to changes in musical style