Clara Elizabeth Barnhart| Abstract
Doctoral Candidate, Department of Art History and Archaeology, Washington University in St. Louis - A New Unity: Montage in the Murals of Ben Shahn and Stuart Davis in the 1930s United States
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Klint Ericson| Abstract
Doctoral Candidate, Art Department, University of North Carolina at Chapel Hill - Sumptuous and Beautiful, As They Were: Architectural Form, Everyday Life, and Cultural Encounter in a Seventeenth-Century New Mexico Mission
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Sarah D. Beetham| Abstract
Doctoral Candidate, Department of Art History, University of Delaware - Sculpting the Citizen Soldier: Reproduction and National Memory, 1865-1917
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Faye R. Gleisser| Abstract
Doctoral Candidate, Art History, Northwestern University - Guerrilla Tactics: Performance Art and the Aesthetics of Resistance in the United States, 1967-1987
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Jill E. Bugajski| Abstract
Doctoral Candidate, Department of Art History, Northwestern University - Totalitarian Aesthetics and the Democratic Imagination in American Art, 1933-1947
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Laura Turner Igoe| Abstract
Doctoral Candidate, Art History, Tyler School of Art, Temple University - The Opulent City and the Sylvan State: Art and Environmental Embodiment in Early National Philadelphia
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Emily Ruth Capper| Abstract
Doctoral Candidate, Department of Art History and Department of Cinema and Media Studies, University of Chicago - Allan Kaprow’s Formalism: Composing Pedagogy and Mixed Media in the Postwar American University
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Erin K. Pauwels| Abstract
Doctoral Candidate, History of Art, Indiana University, Bloomington - Sarony’s Living Pictures: Performance, Photography and Gilded Age American Art
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Katelyn D. Crawford| Abstract
Doctoral Candidate, McIntire Department of Art, University of Virginia - Transient Painters, Traveling Canvases: Portraiture and Mobility in the British Atlantic, 1750-1780
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D. Jacob Rabinowitz| Abstract
Doctoral Candidate, Institute of Fine Arts, New York University - Public Construction: Christo and Jeanne-Claude’s Running Fence
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