Matthew K. Bailey| Abstract
Doctoral Candidate, Department of Art History and Archaeology, Washington University - Turbulent Bodies: Disruptive Materiality in Modern American Painting, 1880-1930
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Lauren Jacks Gamble| Abstract
Doctoral Candidate, History of Art, Yale University - Accretions of Space and Time: The Environmental Art of John Trumbull
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Amanda Douberley| Abstract
Doctoral Candidate, Art and Art History, University of Texas, Austin - The Corporate Model: Sculpture, Architecture, and the American City, 1946-1975
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Anna C. Katz| Abstract
Doctoral Candidate, Department of Art & Archaeology, Princeton University - Hybrid Species: Lee Bontecou's Sculpture and Works on Paper, 1958–1971
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Jason Goldman| Abstract
Doctoral Candidate, Art History, University of Southern California - Open Secrets: Publicity, Privacy, and Histories of American Art, 1958-69
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Rebecca E. Keegan| Abstract
Doctoral Candidate, Department of Art, Art History, and Visual Studies, Duke University - Black Artists, the Problem of Authenticity, and “Africa” in the Twentieth Century
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Edwin Rein Harvey| Abstract
Doctoral Candidate, History of Art, University of California, Berkeley - Place, Tradition, and Modernity in the Art of Andrew Wyeth
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Edward M. Puchner| Abstract
Doctoral Candidate, History of Art, Indiana University, Bloomington - “speaking His mind in my mind”: Racialized Theology, Divine Inspiration, and African American Art
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Catherine Reed Holochwost| Abstract
Doctoral Candidate, Art History, University of Delaware - Landscape as Machine: Vision and Imagination in Nineteenth-Century American Painting
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Katherine Elizabeth Roeder| Abstract
Doctoral Candidate, Department of Art History, University of Delaware - “Cultivating Dreamfulness”: Fantasy, Longing, and Commodity Culture in the Work of Winsor McCay, 1904-1914
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